Qi Gong's Book / Beijing Normal University Press /January 1, 2009
The Heart Sutra of Prajnaparamita is an important work of Mr. Qi Gong. This book was published in July 2004, on the occasion of Mr. Qi Gong's 90th birthday, and became a special gift to celebrate his birthday. Mr. Qi Gong is an outstanding figure in the Chinese cultural circle, and his academic attainments and artistic achievements are highly respected. As a Buddhist classic, the Heart Sutra of Prajnaparamita contains deep Buddhist philosophical thoughts and is of great significance for understanding Buddhist culture and practice methods. Mr. Qi Gong's interpretation and annotations make this ancient classic easier for modern people to understand and accept. This book is not only a must-read for Buddhists, but also an important reference book for readers who are interested in Chinese traditional culture and philosophical thoughts. By reading this book, readers can gain a deep understanding of Buddhist wisdom and practice methods, gain inspiration from them, and achieve positive results.
Book Summary of "Heart Sutra of Prajnaparamita"Chapter 1: Introduction1.1 Purpose and Structure of this Book - Purpose: To interpret the Heart Sutra of Prajnaparamita and explain its profound philosophy. - Structure: It is divided into four parts: introduction, literal translation of the text, annotations and analysis, and conclusion. 1.2 Introduction to the Author Qi Gong - Academic Background: A famous calligrapher and scholar who has in-depth research on Buddhist culture. - Writing Style: Easy to understand, combining cultural background and historical stories to explain the text. Chapter 2: Literal Translation of the Text2.1 Original Text of the Text - List the full text of the Heart Sutra of Prajnaparamita in detail. 2.2 Literal Translation and Free Translation - Literal Translation: Translate word by word, retaining the style of the original text. - Free Translation: Explain the meaning of each sentence and convey the spirit of the original text. Chapter 3: Notes and Analysis3.1 All Five Aggregates Are Empty - No-Self: All phenomena are caused by conditions and have no fixed self-nature. - Impermanence: All things are in constant change, and impermanence is the norm. - Noble Truth of Suffering: Life is full of pain and dissatisfaction. 3.2 Overcoming All Suffering - Eightfold Path: Eight paths leading to Nirvana, including right view, right thinking, and right speech. - Four Noble Truths: Suffering, Origin, Cessation, and Path, the Buddha&39;s basic views on life. 3.3 Practice - Dhyana: Cultivate the concentration and clarity of the mind through meditation. - Wisdom: Use the wisdom of Prajna to see the truth of the world and transcend the cycle of life and death. Chapter 4: Conclusion4.1 The Modern Significance of the Heart Sutra - Purification of the Mind: Guide modern people on how to achieve inner peace and balance through practice. - Philosophy of Life: Provide a positive and healthy attitude towards life and understanding of life and death. 4.2 Conclusion - Summarize the core ideas of the Heart Sutra and encourage readers to practice its teachings in life. --- The above is a book summary of the Heart Sutra by Qi Gong, organized in Markdown source code format. The content of each chapter is summarized concisely and clearly, aiming to provide readers with a clear reading guide.
As one of the Buddhist classics, the Heart Sutra is concise but profound in meaning. It is one of the classics often read by those who practice Buddhism. If you select the wonderful sentences or paragraphs and output them in numbers, they are listed as follows: 1. "When the Bodhisattva Avalokitesvara practiced deep Prajnaparamita, he saw that the five aggregates were empty and overcame all sufferings." This sentence is the beginning of the Heart Sutra and the main theme of the entire text. It shows that when the Bodhisattva who practices Prajnaparamita deeply meditates, he can see the emptiness of the five aggregates (form, feeling, perception, volition, and consciousness), thus transcending all sufferings. 2. "Shariputra, form is not different from emptiness, emptiness is not different from form, form is emptiness, emptiness is form, and the same is true for feeling, perception, volition, and consciousness." This sentence explains the relationship between form and emptiness through the analysis of "form" in the five aggregates, and further extends it to the other four aggregates, expressing the Buddhist idea of the emptiness of all dharmas. 3. “Shariputra, all dharmas are empty in nature, neither born nor destroyed, neither defiled nor pure, neither increasing nor decreasing.” This explains the characteristics of the emptiness of all dharmas, that is, transcending the duality of birth and death, defilement and purity, increase and decrease, and embodies the thought of the Middle Way. 4. “Therefore, in the void there is no form, no feeling, perception, action, or consciousness, no eyes, ears, nose, tongue, body, or mind, no color, sound, smell, taste, or touch, no eye realm, and even no consciousness realm.” This sentence emphasizes through a series of negations that there is no real self-nature in the void, including the five aggregates, six sense organs, six sense objects, and eighteen realms. 5. “There is no ignorance, nor is there an end to ignorance, even to old age and death, nor is there an end to old age and death.” This sentence shows the emptiness of the twelve links of dependent origination, that is, the chain of cause and effect such as ignorance and old age and death is also eliminated in the void. 6. “There is no suffering, accumulation, extinction, or path, no wisdom, and no attainment.” This sentence shows that in the realm of Prajnaparamita, not only are the Four Noble Truths of suffering, accumulation, extinction, and path empty, but even the wisdom and achievements gained through practice are empty. 7. “Because there is nothing to be gained, the bodhisattva, relying on Prajnaparamita, has no worries in his heart.” By recognizing the emptiness of all dharmas, the bodhisattva can practice Prajnaparamita without worries in his heart, which is the key to achieving liberation. 8. “Because there is no worries, there is no fear, and one is far away from upside-down dreams, and finally attains Nirvana.” If there is no worries in the heart, there will naturally be no fear and upside-down dreams, and the state of Nirvana can be achieved in the end. 9. “All the Buddhas of the three ages, relying on Prajnaparamita, attained Anuttara Samyaksambodhi.” This sentence shows the important position of Prajnaparamita in the practice of all the Buddhas of the three ages, and it is the key to achieving the supreme enlightenment. 10. “Therefore, know that Prajnaparamita is the great mantra, the great bright mantra, the supreme mantra, the incomparable mantra, which can eliminate all sufferings, and is true and not false.” This sentence praises the immeasurable merits of Prajnaparamita, which can eliminate all sufferings and is the true and true Buddhist principle. 11. “Therefore, the Prajnaparamita mantra is spoken, that is, the mantra is spoken: Gate Gate Paragate Parasamgate Bodhi Svaha.” The sutra ends with the Prajnaparamita mantra as a conclusion, emphasizing the special merits of practicing this mantra. The sentences or paragraphs listed above are all parts of the Heart Sutra of Prajnaparamita that are profound, unique in perspective, beautiful in language, full of wisdom or creativity. They not only embody the core teachings of Buddhism, but are also important references for practitioners to comprehend the wisdom of Prajna. Since the Heart Sutra is short, the selected content has covered its essence as much as possible.
Qi Gong, formerly known as Wang Qigong, is a famous Chinese calligrapher, seal engraver, art educator, and an outstanding scholar.< His work "Heart Sutra of Prajnaparamita" is the crystallization of his profound understanding of Buddhist classics and artistic creation.
Personal basic information: Mr.< Qi Gong was born in 1924 in Weifang, Shandong.
He has loved calligraphy since he was a child and studied calligraphy under the famous calligrapher Zhao Puchu in his early years.
Education and professional background: Mr.< Qi Gong graduated from the Chinese Department of Shandong University and later taught at the Chinese Department of Peking University.
He was the director of the Calligraphy Research Institute of Peking University and is a leader in the Chinese calligraphy world.
Writing career: Mr.< Qi Gong's calligraphy works are widely circulated.
His unique calligraphy style is known as the "Qi Gong style".< His calligraphy works have a high reputation not only in China but also in the world.
His calligraphy works are collected by many museums and private collectors.
Work style and theme: Mr.< Qi Gong's calligraphy works are known for their running script and cursive script.
His calligraphy style is fresh, natural and fluent, giving people a beautiful enjoyment.< His calligraphy works cover a wide range of themes, including Buddhist classics, poems, famous sayings, etc.
Personal life: Mr.< Qi Gong is a devout Buddhist.
He lives a simple life, is indifferent to fame and fortune, and is committed to the research and creation of calligraphy art.
Social influence: Mr.< Qi Gong's calligraphy art has a profound impact on the Chinese calligraphy community.
His calligraphy works are known as the "Qi Gong style" and have become a treasure of Chinese calligraphy art.
Quotes and comments: The famous calligrapher Zhao Puchu once commented that Mr.< Qi Gong's calligraphy works are "fresh, natural, fluent, and give people a beautiful enjoyment.
" The People's Daily also published an article praising Mr.< Qi Gong's calligraphy art for "having a distinct personality and unique style.
" Latest developments: Although Mr.< Qi Gong has passed away, his calligraphy art is still circulated around the world, and his works are still collected by many museums and private collectors.
His calligraphy art is still influencing generations of calligraphy enthusiasts.
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