Book Details
Chinese Printmaking: From the Tang Dynasty to the Qing Dynasty
[Japan] Kobayashi Hiromitsu / Shanghai Painting and Calligraphy Publishing House /December 1, 2020
The book "Chinese Printmaking: From the Tang Dynasty to the Qing Dynasty" was written by Japanese scholar Kobayashi Hiromitsu. It was originally published by Japan's "Toshindo" in 1995 as part of the "World Art Series". This book comprehensively explores the development process and artistic achievements of Chinese printmaking, an important art category, from the Tang Dynasty to the Qing Dynasty. With its unique artistic style and rich cultural connotations, Chinese printmaking occupies a pivotal position in the history of Chinese culture and art. This book shows readers the charm of Chinese printmaking in an easy-to-understand way, and also provides valuable information for research in this field. Whether for art lovers or professional researchers, this book is a rare masterpiece that helps to better understand and appreciate the essence of Chinese printmaking art.
Outline Notes
Book Summary of Chinese PrintmakingTang DynastyChapter 1: Overview of Tang Dynasty Printmaking - Development Background: The introduction of Buddhism and its integration with Chinese culture promoted the rise of printmaking art. - Technological Innovation: The invention and improvement of woodblock printing provided technical support for the large-scale reproduction and dissemination of printmaking. Chapter 2: Representative Works and Techniques - The title page of the Diamond Sutra: The earliest existing woodcut print with a clear date, showing the high level of Tang Dynasty printmaking. - Color overprinting technology: Through multi-plate overprinting of different colors, the richness and layering of the picture are increased. Song DynastyChapter 3: Song Dynasty Printmaking Styles and Schools - Jian&39;an School and Jinling School: The formation of the two major schools represents the regional characteristics and artistic style of Song Dynasty printmaking. - New Year Pictures and Folk Printmaking: The rise of Song Dynasty New Year Pictures reflects the customs and folk beliefs of the society at that time. Chapter 4: The influence of Song Dynasty woodblock prints - Influence on later generations: The technical and artistic achievements of Song Dynasty woodblock prints laid the foundation for the development of woodblock prints in later generations. - International exchanges and influences: The spread of woodblock prints promoted cultural exchanges between China and other countries. Yuan DynastyChapter 5: New characteristics of Yuan Dynasty woodblock prints - Illustrations of opera novels: With the development of opera novels, woodblock prints began to become an important form of illustrations for literary works. - Commercialization of woodblock prints: The market demand for woodblock prints in the Yuan Dynasty increased, which promoted the commercialization of woodblock prints. Ming DynastyChapter 6: The peak of woodblock prints in the Ming Dynasty - Exquisite and delicate depiction: Woodblock prints in the Ming Dynasty reached an unprecedented height in the depiction of details. - Diversified themes: Including a variety of themes including religion, literature, and historical stories. Chapter 7: Representative schools and works - Hui School woodblock prints: Represented by the Huang and Wang schools, they are famous for their exquisite lines and composition. - "Shizhuzhai Huapu": Hu Zhengyan&39;s selected painting collection is one of the important representatives of Ming Dynasty printmaking art. Qing DynastyChapter 8: The development and changes of Qing Dynasty printmaking- Changes in woodblock New Year paintings: Qing Dynasty woodblock New Year paintings pay more attention to decorativeness in composition and color. - The manifestation of Western influence: The introduction of Western painting techniques has brought new changes to Qing Dynasty printmaking. Chapter 9: Printmaking changes in the late Qing Dynasty- Reflecting social reality: Printmaking in the late Qing Dynasty began to pay more attention to social reality and criticize current affairs. - The budding of the emerging printmaking movement: Late Qing printmaking became the forerunner of the emerging printmaking movement, foreshadowing the direction of future changes in printmaking. --- The above is a summary of the book "Chinese Printmaking" written by Kobayashi Hiromitsu from the Tang Dynasty to the Qing Dynasty. Each chapter is subdivided into sections, and the key points of the content of the section are analyzed, summarizing the framework and main content of the whole book in a concise way.
Catchy Sentences
In the book "Chinese Printmaking: From the Tang Dynasty to the Qing Dynasty", [Japanese] Kobayashi Hiromitsu shows the long history and rich connotation of Chinese printmaking art through exquisite writing and in-depth research. The following are the most wonderful sentences or paragraphs selected from the book. They are profound, unique, beautiful, wise, or creative. They are presented to readers according to the requirements. Sentence/paragraph selection: 1. In the Tang Dynasty, printmaking took its first shape, like a glimmer of light in the long river of art, foreshadowing the subsequent magnificent development process. 2. In the world of printmaking, every knife and every line condenses the craftsman's hard work and wisdom. They are static, but seem to be telling a thousand-year story. 3. The printmaking of the Song Dynasty gradually moved from religion to secularism. Its wide range of themes and exquisite craftsmanship are breathtaking. 4. The history of printmaking described by Kobayashi Hiromitsu is not only a history of art, but also a vivid history of social life. 5. During the Ming and Qing Dynasties, printmaking reached an unprecedented peak, and its refinement and artistic value were comparable to any painting art. 6. Each printmaking work is a witness of time, and they record the customs and social changes of that era in a unique way. 7. With his profound learning and keen insight, Kobayashi Hiromitsu revealed the cultural implications and historical value behind the art of printmaking. 8. Printmaking is not only a carrier of art, but also a cultural heritage. In every knife carving and ink printing, there is a profound national culture and aesthetic consciousness. 9. Reading "Chinese Printmaking" is like a dialogue with history, and every page is full of sparks of wisdom and creative inspiration. 10. Kobayashi Hiromitsu's research on Chinese printmaking is not only limited to the technical level, but also goes deeper into the spiritual connotation and aesthetic concept level, which is of great significance for understanding the spirit of Chinese art. 11. From the roughness of the Tang Dynasty to the delicacy of the Song Dynasty, and then to the prosperity and refinement of the Ming and Qing Dynasties, the development of Chinese printmaking is like an epic with ups and downs. 12. In the creation of prints, we can see the shadow of Chinese traditional culture, such as the influence of Confucianism, the penetration of Taoist philosophy and the integration of Buddhist art. 13. "Chinese Prints" is not only a review and summary of print art, but also an in-depth excavation and display of Chinese traditional culture. 14. With its rigorous academic style and profound thinking, this work by Kobayashi Hiromitsu provides us with a new perspective to examine and understand Chinese print art. 15. Through "Chinese Prints", we can not only appreciate exquisite works of art, but also feel the profound thoughts and humanistic spirit contained in them. 16. The language of the book is beautiful and fluent, with both academic rigor and literary vividness, which makes people feel like spring breeze when reading it. 17. Under Kobayashi Hiromitsu's pen, those seemingly unreachable print masters seem to have come alive, and their creative process and mental journey are all displayed one by one. 18. "Chinese Prints" is not only a professional book, but also an art classic that can immerse people and inspire them. 19. Whether you are an art lover or a history researcher, "Chinese Prints" can open a door to the Chinese art palace for you. 20. Kobayashi Hiromitsu's "Chinese Prints" is a dialogue across time and space, connecting the ancient and modern, the East and the West, presenting us with a colorful art world.
Author Introduction
Title: Exploring the Millennium Charm of Chinese Printmaking: Kobayashi Hiromitsu's Academic Journey Kobayashi Hiromitsu, a Japanese scholar, is well-known for his in-depth research and unique insights into Chinese printmaking art.
His book "Chinese Printmaking: From the Tang Dynasty to the Qing Dynasty" unveils the mystery of Chinese printmaking art for us, showing the rich history and unique charm of this art form.< Basic Personal Information Kobayashi Hiromitsu was born in Tokyo, Japan, and has been passionate about art since childhood.
He obtained a degree in art history at the University of Tokyo and focused on the study of Chinese art in his subsequent academic career.< Education and Career Background Kobayashi Hiromitsu received a solid art history education at the University of Tokyo, and his academic background laid a solid foundation for his in-depth study of Chinese printmaking art.
After graduation, he joined the National Museum of Japan as a researcher, focusing on the collection and research of ancient Chinese artworks.< Writing Career Kobayashi Hiromitsu's writing career began while he was working at the museum.
As soon as his first book "Chinese Printmaking: From the Tang Dynasty to the Qing Dynasty" was published, it attracted widespread attention from academic circles and art lovers.< This book records the development of Chinese printmaking art in detail, from its rise in the Tang Dynasty to its prosperity in the Qing Dynasty, providing readers with a comprehensive perspective.
Style and Theme Kobayashi's works are known for their rigorous academic attitude and easy-to-understand narrative style.< His books not only record the history of Chinese printmaking in detail, but also explore the social, cultural and artistic value of this art form.
His research focuses not only on art itself, but also on the interactive relationship between art and society, economy and politics.< Personal Life Kobayashi's life is relatively low-key, and he devotes most of his time to academic research and writing.
His personal life is closely linked to his academic pursuits, and his love for art and thirst for knowledge drive him to continue exploring and discovering.< Social Impact Kobayashi's research has a positive impact on the promotion and protection of Chinese printmaking art.
His books not only provide valuable research materials for the academic community, but also provide the public with a window to understand and appreciate Chinese printmaking art.
Citations and Evaluation "Chinese Printmaking: From the Tang Dynasty to the Qing Dynasty" has been highly praised by many authoritative media and experts.< The New York Times praised the book as "a masterpiece that explores the art of Chinese printmaking in depth", while the famous art historian Joseph Needham described Kobayashi as "a true master of art history".
Latest News Kobayashi is still continuing his academic research, and his new book "The Fusion of Chinese Painting and Printmaking" is about to be published, which is expected to further enrich our understanding of Chinese art history.< Kobayashi's academic contributions and his love for art have made him an important figure in the field of Chinese printmaking research.
His works not only provide us with valuable knowledge, but also inspire our love and respect for traditional Chinese culture.
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