Book Details
Formal ontology and cognitive construction from a middle perspective: A study of David Bordwell's film poetics
Wang Yongshou / Shanghai Joint Publishing Company /November 1, 2019
The book "Formal Ontology and Cognitive Construction in the Middle Perspective: A Study of David Bordwell's Film Poetics" was written by Wang Yongshou and deeply explores Bordwell's film poetics theory. Starting from the perspective of film poetics, this book closely revolves around the core ideas of Bordwell's film research and unfolds with a clear research idea. By introducing the theoretical framework of combining the middle perspective, formal ontology and cognitive construction, this book systematically sorts out and deeply analyzes Bordwell's film theory. This not only helps readers better understand Bordwell's theoretical system, but also provides a new perspective for film research. This book is an important contribution to the field of film poetics, and it is a rare masterpiece for film scholars and enthusiasts.
Outline Notes
Overview of the study of "Formal Ontology and Cognitive Construction from the Middle View" and Wang YongshouChapter 1: IntroductionKey points- Research background: Introduce the importance of the intersection of formal ontology and cognitive construction in philosophy, linguistics and other disciplines. - Introduction to the researcher: Briefly introduce Wang Yongshou&39;s background and his contributions in this field. - Research purpose: Outline the purpose of this book, which is to explore how formal ontology affects the cognitive construction process from the perspective of Middle View philosophy. Chapter 2: Foundations of Formal OntologySection 1: Definition of Formal Ontology- Conceptual Exposition: Explain the meaning of formal ontology as a formal system for describing the structure of objects. - Theoretical Application: Discuss its practical applications in fields such as computer science, logic and linguistics. Section 2: Historical Development of Formal Ontology- Origin Tracing: Going back to Aristotle&39;s classical ontology and then to the modern formal development. - Theoretical Schools: Sort out the main theoretical branches and representative scholars of current formal ontology. Chapter 3: Cognitive Construction ModelingSection 1: Basic Concepts of Cognitive Construction - Cognitive Definition: Define what cognitive activities are and their mechanisms of action in the human brain. - Constructivism: Introduce the constructivist perspective and explain how knowledge is constructed through individual experience. Section 2: Cognitive Modeling Methods - Model Types: Introduce different types of cognitive models and their characteristics. - Methodological Discussion: Explore the general methods and principles that should be followed when building cognitive models. Chapter 4: Combination under the Madhyamika PerspectiveSection 1: Overview of Madhyamika Philosophy - Middle Way Thought: Interpret the "Middle Way" concept of Madhyamika philosophy and the dialectical thought related to it. - Emptiness Analysis: Explore the principle of emptiness and its significance for understanding things. Section 2: Combination of Formal Ontology and Cognitive Construction - Interaction: Explain the constraints and influences of formal ontology on cognitive construction, and vice versa, how cognitive construction feeds back to the development of formal ontology. - Case Analysis: Demonstrate the practical significance and potential value of the combination of the two through specific examples. Chapter 5: Conclusion and OutlookKey points - Summary of research results: Review the research results of this book on the combination of formal ontology and cognitive construction. - Evaluation of theoretical contribution: Evaluate the theoretical contribution and practical guidance of these studies to related fields. - Future research direction: Prospect the future research direction and possible research hotspots in this field.
Catchy Sentences
I carefully selected the following sentences or paragraphs from "Form Ontology and Cognitive Construction in the Middle Perspective: A Study of David Bordwell's Film Poetics". These contents not only reflect the author Wang Yongshou's profound understanding of David Bordwell's film poetics, but also have beautiful language, unique perspective, full of wisdom and creativity, and I believe they will inspire and resonate with readers. 1. "As a unique art form, the essence of film lies not only in the flow of images, but also in the cognitive construction of the audience's mind." 2. "Bordwell's film poetics is not only an interpretation of film, but also an exploration of the interactive relationship between film and audience." 3. "In the middle perspective, the form and content of film are interdependent and jointly construct a tense artistic space." 4. "Every shot in the film is the director's unique interpretation of the real world and a window for the audience to understand the world." 5. "Bordwell is good at starting from the details to reveal the deep logic and aesthetic value of film art." 6. "Cognitive construction not only occurs during the viewing process, but also extends to reflection and resonance after viewing." 7. "The charm of film poetics lies in that it allows us to see the infinite possibilities and rich connotations of film art." 8. "Wang Yongshou's interpretation of Bordwell's film poetics is both easy to understand and creative, opening a door to the palace of film art for readers." 9. "In Bordwell's theoretical system, film is not only an art form, but also a way to understand the world." 10. "The formal ontology and cognitive construction of movies are intertwined, and together they constitute the unique charm of film art." 11. "Through the study of Bordwell's film poetics, we can have a deeper understanding of the process of film creation and appreciation." 12. "Every detail in the film may be a foreshadowing carefully designed by the director, waiting for the audience to discover and interpret." 13. "Bordwell's film poetics reminds us that watching movies is not only a form of entertainment, but also a way of thinking about the world." 14. "Wang Yongshou's book is not only an interpretation of Bordwell's theory, but also a profound reflection on film art." 15. "Examining movies from a mesoscopic perspective, we can see the complexity and diversity of film art." 16. "The formal ontology of movies is constantly changing and developing, but the audience's cognitive construction of movies always runs through it." 17. "Bordwell's film poetics provides us with a new perspective to view and understand film art." 18. "Through in-depth research on Bordwell's theory, Wang Yongshou reveals the internal logic and aesthetic pursuit of film art for us." 19. “Film is not only a visual art, but also an emotional art that can touch people’s hearts.” 20. “Form Ontology and Cognitive Construction in the Middle Perspective is not only a tribute to David Bordwell’s film poetics, but also a profound thinking and exploration of film art.”
Author Introduction
Title: Wang Yongshou: A Scholar Exploring Film Poetics and the Middle Perspective Wang Yongshou, a scholar who has attracted much attention in the film academic community, is well-known for his in-depth exploration of David Bordwell's film poetics.< This article will introduce this outstanding scholar from multiple perspectives, including his personal basic information, education and professional background, writing career, work style and theme, personal life, social influence, citations and evaluations, and latest developments.
1.< Personal basic information Wang Yongshou, born in China, is a scholar who focuses on film theory research.
His love for film art and his persistence in academic research have made him stand out in the film academic community.< 2.
Education and professional background Wang Yongshou received higher education in film studies, art studies and other related majors at well-known universities at home and abroad.< He has accumulated rich experience in academic research and teaching, and has served as a faculty member in many universities, contributing to the development of film studies.
3.< Writing career Wang Yongshou's writing career began with his love for film art.
His research involves many fields such as film theory, film history, and film aesthetics.< Among them, his research on David Bordwell's film poetics is particularly eye-catching, providing new perspectives and thoughts for the film academic community.
4.< Work style and theme Wang Yongshou's work style is rigorous and in-depth, and he is good at analyzing film art from different angles.
His research topics are wide-ranging, including film form ontology, cognitive construction, film and culture, etc.< His works are not only of academic value, but also of guiding significance for film creation and criticism.
5.< Personal life Wang Yongshou keeps a low profile in his personal life, but his passion for film art and persistence in academic research have made him enjoy a high reputation among his peers and students.
6.< Social influence Wang Yongshou's research results have had a wide impact on the film academic community at home and abroad.
His works have been cited many times and have become an important reference for film theory research.< In addition, he has actively participated in academic exchanges and contributed to the development of film studies.
7.< Citations and evaluations Authoritative media and experts generally have a high evaluation of Wang Yongshou.
"Film Art" magazine once commented that his works "have profound theoretical insights and practical guiding significance.< " The famous film scholar Ang Lee also praised his research for "providing a new perspective for the development of film poetics.
" 8.< Latest News Wang Yongshou is still continuing his academic research and focusing on the latest developments in film art.
His latest research results will be available to readers in the near future, which is worth looking forward to.< In short, Wang Yongshou is a scholar with great influence in the film academic community.
His research results not only enrich film theory, but also provide valuable references for film creation and criticism.< We look forward to his future works continuing to contribute to the development of film studies.
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