Book Details

Absolute Music Concept

Absolute Music Concept

[German] Karl Dalhaus / East China Normal University Press /December 1, 2018

The Absolute Concept of Music is an important work by German musicologist Carl Dahlhaus, which explores the core issues of music aesthetics and concept research in depth. Through ten chapters, this book traces the formation and evolution of the concept of absolute music and its important position in the development of Western art music with history as the clue. Dahlhaus uses the method of philosophical speculation to conduct an in-depth analysis of the concept of absolute music, revealing its internal logic and aesthetic value. This book is of great significance for understanding the history of Western music, music aesthetics, and the relationship between music and philosophy, and provides valuable ideological resources and research perspectives for music scholars and enthusiasts. By reading The Absolute Concept of Music, readers can have a deeper understanding of the essence and charm of music, as well as the unique position of music in human culture.


Outline Notes

Book Summary of "Absolute Music Concept"Chapter 1: Music and Absolute Music1.1 Definition and Classification of Music - Key Point 1: Music is an art form that expresses emotions and ideas through the combination of sounds. - Key Point 2: Music can be divided into absolute music (pure music) and program music (music with literary or visual imagery). 1.2 Definition of Absolute Music - Key Point 1: Absolute music refers to musical works without words, titles or other literary indications. - Key Point 2: Absolute music emphasizes the aesthetic value of the music itself rather than external associations. Chapter 2: Absolute Music Concept in Music History2.1 Absolute Music in the Classical Period - Key Point 1: In the Classical Period, especially in the works of Haydn, Mozart and Beethoven, the concept of absolute music began to take shape. - Key Point 2: The music of this period paid more attention to formal beauty and internal logic. 2.2 Absolute Music in the Romantic Period - Key Point 1: In the Romantic Period, musicians tended to incorporate personal emotions into their music creation. - Key Point 2: Despite this, composers like Brahms still adhere to the tradition of absolute music. Chapter 3: The Aesthetic Value of Absolute Music3.1 The Formal Aesthetics of Music- Key Point 1: Absolute music emphasizes the autonomy and formal beauty of musical works. - Key Point 2: The form of music includes melody, rhythm, harmony and timbre. 3.2 The Emotional Expression of Music- Key Point 1: Absolute music can transcend language and directly communicate with the emotional world of the audience. - Key Point 2: The emotional expression of music does not rely on text description. Chapter 4: Modern Music and the Evolution of the Concept of Absolute Music4.1 The Split and Challenge of Modern Music- Key Point 1: The emergence of modern music in the 20th century has challenged the traditional concept of absolute music. - Key Point 2: Musicians have begun to explore more experimental and non-traditional forms of musical expression. 4.2 The Contemporary Significance of Absolute Music- Key Point 1: In the contemporary context of diversified and multimedia art, the aesthetic value of absolute music is still being explored. - Key Point 2: Contemporary musicians reinterpret and develop the concept of absolute music in their creations.


Catchy Sentences

Regarding the book "Absolute Music Concept", they are all unique, profound, unique, beautiful, wise or creative. Due to space limitations, I will show their highlights in groups of three, and try to maintain the integrity of their original meaning and context. Group 1 1. "Music is not only the art of sound, but also the art of time." - This sentence deeply reveals the dual nature of music, emphasizing both its auditory experience and its development in the dimension of time. 2. "Absolute music is a self-sufficient world that does not need external text or images to explain." - This sentence explains the independence of absolute music from a unique perspective and emphasizes the existence value of music as a pure art form. 3. "In absolute music, we are looking for not only melody and harmony, but also emotional resonance and collision of ideas." - The language is beautiful and expresses the profound connection between music and emotions and ideas. Group 2 4. "The history of music is a history of constant pursuit of absolute and pure." - This view is creative and regards the development of music as a process of pursuit of absoluteness. 5. "Dalhousie believes that absolute music is not isolated, but closely linked to society, culture and history." - This sentence shows the author's profound insight into the relationship between music and social culture. 6. "In the ocean of music, every note is free, but together they form a harmonious movement." - The language is vivid and vivid, depicting the balance between the freedom of music creation and the overall harmony. Group 3 7. "Absolute music is a language that transcends national boundaries and cultural restrictions and becomes a spiritual wealth shared by mankind." - This sentence emphasizes the universal value of music and reflects profound humanistic care. 8. "Dalhousie challenged traditional musical concepts and proposed that music is not only a means of expression, but also a means of self-realization." - This sentence highlights the author's innovation and subversion in music theory. 9. "The power of music lies in its ability to touch people's hearts and awaken our deepest emotions." - The language is concise and profound, revealing the most essential power of music. Group 4 10. "In the field of absolute music, every performance is a reinterpretation and re-creation of the original." - This view emphasizes the creativity and personalization of music performance. 11. "Dalhousie believes that the charm of music lies in its uncertainty and openness, which gives the audience unlimited imagination." - This sentence reveals the unique charm of music art. 12. "Music is not only an art form, but also a life attitude and philosophical pursuit." - The language is profound, elevating music to a higher spiritual level. Fifth Group 13. "The concept of absolute music breaks the boundaries between traditional music and other art forms such as literature and painting." - This sentence shows the innovation and cross-border nature of the concept of absolute music. 14. "In Dalhousie's theory, music has become an independent way of expression, and it does not need to rely on other art forms to perfect itself." - This sentence emphasizes the integrity and self-sufficiency of music as an independent art form. 15. "Music is an invisible force that can penetrate the barriers of the mind and let us feel the beauty of the world." - The language is beautiful and infectious, conveying the power and beauty of music. Sixth Group 16. "The concept of absolute music encourages us to understand and appreciate music from a new perspective." - This sentence reflects the inspiration of the concept of absolute music for music appreciation and understanding. 17. "Dalhousie believes that the creation and appreciation of music are both spiritual adventures." - This sentence creatively depicts the adventurous and exploratory nature of musical activities. 18. "In the world of music, there is no absolute right or wrong, only different understandings and feelings." - This view reflects the diversity and inclusiveness of musical art. Group 7 19. "The concept of absolute music is an artistic concept that pursues purity and freedom. It inspires endless creativity among musicians." - This sentence summarizes the important influence of the concept of absolute music on music creation. 20. "Music is a gift from time. It records our history, culture and emotions." - The language is profound and touching, closely linking music with time, history and culture, and showing the precious value of music as a cultural heritage of mankind.


Author Introduction

Carl Dahlhaus (1928-1989) was a German musicologist who was known for his in-depth research on music theory, music history, and music aesthetics.< In this article, we will introduce this outstanding musicologist from multiple perspectives, including his personal basic information, education and professional background, writing career, work style and theme, personal life, social influence, citations and evaluations, and recent developments.

1.< Personal basic information Carl Dahlhaus was born in Hamburg, Germany, and is a German citizen.

He developed a strong interest in music at a young age, and later transformed it into an in-depth study of music theory in his academic career.< 2.

Education and professional background Dahlhaus was educated at several universities in Germany, including the University of Hamburg, the University of Göttingen, and the University of Munich.< He received his doctorate in 1957 and obtained his professorship in 1967.

Dahlhaus has taught at several universities in Germany, including the Free University of Berlin, the University of Munich, and the University of Göttingen.< 3.

Writing career Dahlhaus has a very rich writing career, and he has written a large number of books and articles on music theory, music history, and music aesthetics.< Some of his famous works include Die Idee der absoluten Musik, Esthetics of Music, and Wagner's Operas.

4.< Style and Themes of Works Dahlhaus's works are known for their rigorous academic style and in-depth theoretical analysis.

He focuses on the structure, form and expressiveness of music, and tries to reveal the philosophical and aesthetic ideas behind musical works.< His research covers various fields from classical music to romantic music to modern music.

5.< Personal Life There is little public information about Carl Dahlhaus's personal life.

However, we can feel his love for music and his dedication to academic research from his works.< 6.

Social Influence Dahlhaus's research has had a profound impact on the music academic community.< His theoretical views and analytical methods have been widely cited and discussed, and have inspired later musicologists and music theorists.

7.< Citations and Evaluations Authoritative media, experts and institutions generally have a high evaluation of Dahlhaus.

For example, The New York Times once described him as "one of the most important musicologists of the 20th century", while Music Quarterly called his works "classics in the field of musicology".< 8.

Latest News Although Carl Dahlhaus passed away in 1989, his academic legacy still has an impact on the musicology community.< In recent years, some scholars continue to study and discuss his theories in order to make new breakthroughs in the field of musicology.

In short, Carl Dahlhaus is an outstanding musicologist whose research and works have had a profound impact on the musicology community.< By understanding his basic personal information, education and professional background, writing career, work style and theme, personal life, social influence, citations and evaluations, and latest news, we can better understand the contributions and achievements of this musicologist.


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