(Netherlands) Robert van Gulik / Zhongxi Bookstore /September 1, 2013
The Way of the Qin is an academic work by Dutch sinologist Robert van Gulik, which explores the Chinese guqin culture and the philosophical thoughts behind it. In this book, Robert van Gulik conducts a detailed analysis of the history, production process, playing techniques and relationship with Taoist philosophy of the guqin, showing that the guqin is not only a musical instrument, but also an important tool for ancient Chinese literati to cultivate their moral character. The book mentions that the guqin is regarded as a symbol of a gentleman, and its pure and melodious tone can guide people's minds to achieve internal and external harmony. Lao Tzu's philosophical thoughts occupy an important position in the guqin culture, especially the concept of "discarding the other and taking this", that is, abandoning external disturbances and pursuing inner peace and freedom. The creation and performance of guqin music is a spiritual practice that transcends the secular world and returns to nature. Robert van Gulik also explores the integration of guqin with other art forms such as poetry, calligraphy and painting, pointing out that guqin music and these art forms together constitute the spiritual world of ancient Chinese literati. Through the guqin, literati can express their emotions, express their ambitions, and even make metaphors and comments on politics. In general, "The Way of the Guqin" is a work with profound insights into ancient Chinese culture. It not only provides readers with rich knowledge about the guqin, but also demonstrates the guqin's unique status and far-reaching influence in traditional Chinese culture.
Book Summary of "The Way of Qin"Chapter 1: The History and Evolution of Qin1.1 The Origin of Qin - Research on Ancient Musical Instruments: It is speculated that the ancient qin may have originated in the hunting period, and the ancients used bamboo strips as strings. - Documentary Records: The earliest records of Qin appeared in "The Book of Songs" and "The Book of History". 1.2 The Making and Development of Qin - Material Selection: The material of the ancient qin evolved from the original bamboo strips to silk strings, paulownia wood, etc. - Structural Improvement: The structure of the ancient qin was gradually improved, forming a "seven-string" system. 1.3 The Use of Qin in Ancient Times - Ceremony Instrument: It was used in large-scale ritual activities such as sacrifices. - Scholars Cultivate Their Morality: It became a tool for scholars to cultivate their morality. Chapter 2: The Philosophical Basis of Qin Dao2.1 Qin and Taoist Thought - Harmony with Nature: Taoism emphasizes unity with nature, and the sound of Qin follows the laws of nature. - Governing by Doing Nothing: The Way of Qin embodies the Taoist concept of governing by doing nothing and being pure and inactive. 2.2 Qin and Confucianism - Beauty of Moderation: Confucianism advocates the doctrine of the mean, and the sound of Qin emphasizes peace and moderation. - Educational Function: Qin is used as a tool to educate people and convey moral concepts. 2.3 Qin and Buddhist Thoughts - Zen Practice: Buddhists use Qin as part of their practice to help them meditate and sit quietly. - Ethereal Sound: Qin sound is seen as an ethereal sound that can guide people to achieve spiritual purification. Chapter 3: Qin Learning and Literati Life3.1 Interaction between Literati and Qin - Artistic Pursuit: Literati regard Qin, chess, calligraphy and painting as symbols of their cultivation, with Qin as the first. - Emotional Sustenance: Literati express their emotions and thoughts through Qin sound. 3.2 Creation and Interpretation of Qin Music - Creative Inspiration: Qin music creation mostly comes from the life perception and emotional experience of literati. - Cultural Connotation: Each Qin music has a specific cultural connotation and symbolic meaning. 3.3 The inheritance and development of Qindao- Differentiation of schools: With the passage of history, Qin studies have formed various schools. - Modern inheritance: In modern society, Qindao is still inherited and carried forward as a treasure of traditional culture. Chapter 4: Practice and appreciation of Qin music4.1 Mastering performance skills- Fingering and posture: Correct fingering and posture are the basis for playing beautiful Qin music. - Heart and hand correspondence: The performer needs to achieve the state of heart and hand correspondence, control the hand with the heart, and convey the emotion with the hand. 4.2 Organization and appreciation of concerts- Performance occasion: Qin music is often performed at private gatherings or public concerts. - Aesthetic attitude: To appreciate Qin music, one must not only have a keen sense of hearing, but also have a deep cultural background and artistic accomplishment. --- The above is a brief summary of the book "Qindao". Each chapter explores the history, philosophy, cultural practice and music appreciation of Qin from different perspectives, and comprehensively demonstrates the profound connotation of Qin as a symbol of Chinese culture.
Regarding the book "The Way of Qin", since it is a collection of Gao Ropi's academic works, we hope to find sentences or paragraphs that are profound, unique in perspective, beautiful in language, full of wisdom or creativity. And number them and output: 1. "The sound of the guqin is like spring water hitting rocks, and like wind blowing through bamboo forests. Its rhyme is profound and its meaning is inexhaustible." - Gao Ropi used poetic language to describe the distance and depth of the sound of the guqin. 2. "In the sound of the guqin, we can hear the flow of time, the sedimentation of history, and the wisdom and emotions of the ancients." - This sentence reveals the rich cultural connotations contained in the sound of the guqin. 3. "Playing the guqin is not just the movement of the hands, but also the flow of the heart. Every note, every section, is a portrayal of the inner world." - Gao Ropi emphasized the close connection between playing the guqin and inner emotions. 4. "The way of Qin is not only the art of music, but also a philosophy of life, a way to cultivate one's character." - This paragraph enhances the status of the way of Qin and regards it as a life attitude and philosophical pursuit. 5. "The strings of the guqin are like the clues of life. Every time you pluck them, you are exploring the meaning and value of life." - Through metaphor, Gao Ropi gave the strings of the guqin a deeper symbolic meaning. 6. "In the world of the guqin, there is no absolute perfection, but the process of pursuing perfection itself is a kind of beauty." - This sentence reflects the dialectical thinking and aesthetic pursuit contained in the art of the guqin. 7. "The sound of the guqin is like a trickle of water, which converges into a river and flows endlessly, symbolizing the tenacity and eternity of life." - Gao Ropi used the sound of the guqin to metaphor the rhythm and eternity of life. 8. "When playing the guqin, the body and mind are united, and the self and the world are forgotten, so that the highest realm of the guqin can be reached." - This sentence describes the ideal state and state of mind when playing the guqin. 9. "The timbre of the guqin is either gloomy, or passionate, or calm, just like the joys, sorrows, anger, and happiness of life, which are ever-changing." - Gao Ropi reflects the diversity and complexity of life through the changes in timbre. 10. "Learning the guqin is not only learning a skill, but also learning a cultural tradition and spiritual temperament." —— This paragraph emphasizes the deeper meaning of learning the guqin. 11. "The melody of the guqin is like the breath of nature, in tune with the heaven and earth, and resonates with all things." —— Gao Luopei linked the melody of the guqin with the natural world, reflecting the idea of harmony between man and nature. 12. "Every guqin piece is a memory of history and a cultural heritage." —— This sentence highlights the importance of guqin music in the inheritance of history and culture. 13. "In the music of the guqin, we can find a bridge to communicate with the ancients and feel the emotional exchange that transcends time and space." —— Gao Luopei uses music to build an emotional connection across time and space. 14. "Playing the guqin is a kind of inner practice, purifying the soul and improving oneself through the sound of the guqin." —— This sentence reveals the role of playing the guqin in personal spiritual growth. 15. "The charm of the guqin lies in its simplicity but not simplistic, and its depth but not flashy." —— Gao Luopei summarized the unique charm of the guqin in refined language. 16. "A true zither player is not only good at expressing his inner feelings, but also can inspire the resonance of the listeners through the sound of the zither." - This sentence describes the artistic characteristics and influence of an excellent zither player. 17. "The sound of the zither is like the sound of nature, washing away dust and purifying the soul." - Gao Luopi endowed the sound of the zither with sacred and purifying power. 18. "Looking for the footprints of the ancients in the sound of the zither, feeling the unrestrained and elegant feeling of being detached from the world." - This sentence leads readers to pursue the spiritual outlook of the ancients in the sound of the zither. 19. "The zither is a treasure of Chinese culture and a shining pearl of the intangible cultural heritage of mankind." - Gao Luopi highly praised the status and value of the zither in culture. 20. "Learning the zither is an exploration and discovery of the inner world of oneself, and it is a wonderful journey of the soul." - This paragraph encourages readers to enrich their inner world and experience the mystery of life through learning the zither.
Title: Exploring Robert van Gulik: The Academic World of Dutch Sinologists and the Rhythm of Qindao Dutch Sinologist Robert Hans van Gulik is a versatile scholar whose collection of academic works, Qindao, unveils the mystery of ancient Chinese music culture.< This article will introduce this outstanding scholar from multiple perspectives, including his basic personal information, education and professional background, writing career, style and theme of his works, personal life, social influence, citations and evaluations, and latest developments.
Basic personal information Robert van Gulik, born in the Netherlands in 1910, is a Dutch diplomat and sinologist.< He is proficient in many languages, including Chinese, Japanese, Sanskrit, etc.
, which enables him to stand out in the international academic community.< Education and professional background Robert van Gulik was educated at Utrecht University in the Netherlands, majoring in Chinese and law.
After graduation, he joined the Dutch Ministry of Foreign Affairs and served as a diplomat in many Asian countries.< His diplomatic career provided him with an opportunity to gain a deep understanding of Chinese culture.
Writing career Robert van Gulik's writing career began in the 1940s, and his first work, Sexual Culture in Ancient China, attracted widespread attention.< Since then, he has published many books on ancient Chinese culture, history and music, among which "The Way of Qin" is one of his representative works.
Style and theme of works Gao Ropi's works are known for their rigorous academic attitude and in-depth and easy-to-understand narrative style.< His works cover a wide range of topics, including ancient Chinese law, culture, history and music.
The book "The Way of Qin" deeply explores the history, theory and practice of ancient Chinese Qin art, providing readers with a comprehensive window to understand ancient Chinese music culture.< Personal life Gao Ropi's personal life is relatively low-key.
He devotes most of his time to academic research and diplomatic work.< His love for traditional Chinese culture and his persistence in academic research have made him famous in the international academic community.
Social influence Gao Ropi's academic achievements have had a profound impact on future generations.< His works not only provide valuable information for the Western world to understand Chinese traditional culture, but also provide Chinese scholars with a new perspective for studying their own culture.
Quotes and evaluation The New York Times once evaluated Gao Ropi as "one of the greatest sinologists of the 20th century" and his works are known as "a bridge for cultural exchanges between the East and the West.< " Many experts and scholars have also spoken highly of his work, believing that his research provides a valuable perspective for understanding ancient Chinese culture.
Latest Updates Although Gao Ropi died in 1967, his academic legacy is still active in the academic community.< In recent years, his works have been translated into many languages, attracting more readers' attention.
At the same time, academic research and biographies about him are constantly emerging, further enriching our understanding of his life and academic achievements.< In short, Gao Ropi is an outstanding Dutch sinologist, and his collection of academic works, The Way of the Qin, provides us with valuable information for an in-depth understanding of ancient Chinese music culture.
His academic achievements and contributions to cultural exchanges make him one of the greatest sinologists of the 20th century.
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