Summary of Li Haiping&39;s "New Theory of Chinese Character Graphology"Chapter 1: Introduction1.1 Research Background and Significance - Nature of Chinese characters: Ideographic characters, with a long history, rich forms, and profound cultural connotations. - Research Purpose: To explore the development laws of Chinese character graphemes, explore their cultural value, and provide theoretical support for the application of modern Chinese characters. 1.2 Research Methods and Scope - Interdisciplinary: Combine history, archaeology, linguistics and other disciplines for research. - Character shape analysis: Emphasis on the diachronic changes and synchronic comparison of character shapes. Chapter 2: Basics of Chinese Character Graphemes2.1 Composition of Chinese Character Shapes - Basic strokes: Horizontal, vertical, left, right, etc., constitute the basic elements of Chinese characters. - Structural types: Single-character, compound character, etc., reflect the internal structure of the character shape. 2.2 Relationship between the number and shape of Chinese characters - Shape, sound and meaning: The mutual connection and influence between the shape, pronunciation and meaning of the character. - Variant characters: Different forms of glyphs under the same meaning. Chapter 3: Evolution of Chinese Characters3.1 Oracle-Bone Script to Small Seal Script - Oracle-Bone Script: The earliest form of Chinese characters, carved on tortoise shells and animal bones. - Bronze Script: The characters cast on bronze ware, with more standardized shapes. - Small Seal Script: The standard characters created after the unification of Qin, the source of calligraphy in later generations. 3.2 Official Script and Later Development - Official Script: Simplified seal script, more suitable for writing. - Regular Script: The standard characters formed in the Wei and Jin Dynasties, still in use today. - Running Script and Cursive Script: The fluid characters created for the convenience of writing. Chapter 4: Chinese Characters and Culture4.1 Reflection of Social and Historical Changes - Character Shape Change: Closely related to political, economic, cultural and other factors. - Character Shapes in Specific Periods: Such as the unique style of the characters in the Warring States Period and the Dunhuang Scriptures. 4.2 Chinese characters and ideas - Harmony between man and nature: the cosmology and philosophy of life in the formation of Chinese characters. - Moral ethics: the cultural connotation of Chinese characters under the influence of Confucianism. Chapter 5: Application and dissemination of Chinese character glyphs5.1 The process of modernization of Chinese characters - Promotion of simplified characters: simplifying strokes and improving writing efficiency. - Computer coding: an important step in the informatization of Chinese characters. 5.2 Overseas dissemination of Chinese characters - Chinese character cultural circle: the extensive influence of Chinese characters in East Asia. - International exchange and teaching: Chinese characters as a bridge for cultural dissemination. The above is a summary of the basic framework and key points of the book "New Theory of Chinese Character Glyphs". Each chapter discusses various aspects of Chinese character glyphs in detail, from basics to applications, from history to culture, in a comprehensive and in-depth manner.

Regarding the book "New Theory of Chinese Character Graphology", written by Li Haiping, the following are some wonderful sentences or paragraphs selected from it. These sentences or paragraphs are either profound, unique in perspective, beautiful in language, full of wisdom, or creative. They are numbered and output as required: 1. Chinese characters are not only symbols for recording language, but also carriers of Chinese culture and witnesses of history. ** Reason: This sentence profoundly summarizes the important position of Chinese characters in Chinese culture, emphasizing both its functionality and its cultural value. 2. The study of graphology is not only about the shape of characters, but also about revealing the thinking logic and cultural connotation behind the characters. ** Reason: This sentence has a unique perspective and points out the deep-seated significance of graphology research, not only the characters themselves, but also the thinking and culture behind them. 3. The evolution of Chinese characters is like a long river of history, and each character is a pearl in the river, shining with the glory of the times. ** Reason: The language is beautiful, and the magnificent picture of the evolution of Chinese characters is depicted with poetic metaphors, giving people a beautiful enjoyment. 4. The simplification of Chinese characters is not simply the reduction of strokes, but the optimization and reconstruction of the internal structure of Chinese characters. ** Reason: Full of wisdom, it profoundly expounds the scientific and artistic nature of the process of simplifying Chinese characters. 5. The Chinese character shape is the crystallization of the wisdom of the Chinese nation. It records the memory and expectations of the nation in its unique way. ** Reason: It is profound in meaning, elevating the Chinese character shape to the height of national wisdom, highlighting its extraordinary significance. 6. Learning Chinese character shapes is not only learning to write, but also learning a culture and way of thinking. ** Reason: The perspective is unique, expanding the significance of learning Chinese character shapes to the cultural and thinking level, which is inspiring. 7. Each Chinese character is a small universe, containing rich information and infinite mysteries. ** Reason: The language is beautiful and full of wisdom, using the universe as a metaphor to show the breadth and depth of Chinese characters. 8. The changes in the Chinese character shape reflect the changes in social history and the development of people's aesthetic concepts. ** Reason: This sentence creatively links the Chinese character shape with social history and aesthetic concepts, providing a new research perspective. 9. The shape of Chinese characters is the soul of Chinese characters. It carries the sound, meaning and function of Chinese characters. ** Reason: It is profound and emphasizes the core position of the shape of Chinese characters. 10. The beauty of the shape of Chinese characters lies in the harmony of their structure and the dynamic balance. ** Reason: The language is beautiful and accurately captures the aesthetic characteristics of the shape of Chinese characters. 11. The study of glyphics requires an interdisciplinary perspective and method. It is a bridge connecting multiple disciplines such as linguistics, history, and aesthetics. ** Reason: The perspective is unique and full of wisdom, pointing out the interdisciplinary nature of glyphics research and its important role in multiple disciplines. 12. The shape changes of Chinese characters are like a living history, recording the growth and changes of the Chinese nation. ** Reason: The language is beautiful and profound. It compares the shape changes of Chinese characters to history, vividly showing its close connection with the Chinese nation. 13. The shape of Chinese characters is the first impression of Chinese characters. It directly affects people's cognition and feelings about Chinese characters. ** Reason: The perspective is unique and emphasizes the important role of glyphs in the cognition of Chinese characters. 14. The glyphs of Chinese characters contain the wisdom and emotions of the ancients and are the bridge for us to communicate with the ancients. ** Reason: Full of wisdom and profound meaning, the glyphs of Chinese characters are regarded as the bond between modern people and ancient people. 15. The process of learning the glyphs of Chinese characters is a baptism of the soul and enlightenment of wisdom. ** Reason: The language is beautiful and creative, and the spiritual gains of learning the glyphs of Chinese characters are described in poetic language. 16. The glyphs of Chinese characters are like biological organisms in nature, experiencing the process of birth, growth, aging and regeneration. ** Reason: The perspective is unique and full of wisdom, and the evolution process of the glyphs of Chinese characters is explained by biological metaphors. 17. The glyphs are the charm of Chinese characters, and they show the breadth and depth of Chinese culture in their unique way. ** Reason: The meaning is profound and the language is beautiful, highlighting the important role of glyphs in showing Chinese culture. 18. The study of the glyphs of Chinese characters is not only a tracing of the past, but also an exploration and innovation of the future. ** Reason: Full of wisdom and creativity, it points out the dual significance of the study of Chinese character shapes - looking back at history and looking forward to the future. 19. The shape of Chinese characters is the visual image of Chinese characters, which directly affects the dissemination and internationalization of Chinese characters. ** Reason: The perspective is unique and meaningful, emphasizing the importance of shape in the dissemination and internationalization of Chinese characters. 20. The beauty of Chinese character shapes lies in their simplicity, and each stroke contains rich cultural connotations. ** Reason: The language is beautiful and full of wisdom, accurately summarizing the aesthetic characteristics and cultural connotations of Chinese character shapes.

Li Haiping: Author of a New Theory of Chinese Character Graphology and an Outstanding Scholar As one of the oldest written languages in the world, Chinese characters carry a rich history and culture.< Among the many scholars who study Chinese characters, Professor Li Haiping is undoubtedly one of the best.

Today, let us walk into the world of this outstanding scholar and learn about his basic personal information, education and professional background, writing career, work style and theme, personal life, social influence and latest developments.

Basic Personal Information: Li Haiping, a famous Chinese sinologist, was born in Beijing in 1950.< He has loved Chinese character culture since he was a child and is passionate about the study of Chinese characters.

Professor Li Haiping is not only an outstanding scholar, but also an outstanding educator who is committed to cultivating a new generation of Chinese character research talents.

Education and Professional Background: Professor Li Haiping graduated from the Department of Chinese Language and Literature of Peking University with a doctorate in literature.< During his academic career, he has taught at many well-known universities, such as Tsinghua University and Fudan University.

In addition, he has served as the director of the Institute of Linguistics of the Chinese Academy of Social Sciences and has made great contributions to the development of Chinese character research.

Writing Career and Work Style and Theme: Professor Li Haiping's writing career began in the 1980s.< His works cover the origin, evolution, structure, and writing of Chinese characters.

Among them, "A New Theory of Chinese Character Graphology" is his most representative work, which deeply explores the evolution of Chinese character shapes and the cultural connotations behind them.< Li Haiping's works are rigorous and easy to understand, with both academic value and broad popular significance.

Personal life: Professor Li Haiping loves life and likes calligraphy, painting and other arts in his spare time.< He believes that Chinese characters themselves are a kind of art, and the aesthetic value of Chinese characters can be better understood and comprehended through calligraphy and painting.

Social influence, citations and evaluations: Professor Li Haiping's academic achievements have been widely recognized.< "A New Theory of Chinese Character Graphology" was highly praised by the People's Daily, calling it "a Chinese character research work with epoch-making significance.

" In addition, many famous sinologists have also highly praised Professor Li Haiping's research results, believing that his research has made important contributions to the development of Chinese character studies.

Latest developments: Recently, Professor Li Haiping is still continuing his research on Chinese characters.< It is reported that he is preparing a new book on the combination of Chinese characters and modern technology, aiming to explore the inheritance and innovation of Chinese characters in the digital age.

In short, Professor Li Haiping is an outstanding Chinese character researcher, and his works and academic achievements are of great significance to the inheritance and development of Chinese character culture.< Let us look forward to his future research results and continue to work hard for the prosperity of Chinese character studies.