Qing Jian / Pu Rui Culture·Hunan People's Publishing House /November 1, 2019
The book "The Beauty of Ancient Colors" was written by Qing Jian, which reproduces 71 classic ancient colors from an authoritative perspective. The author refers to the authoritative color values of the Chinese Academy of Sciences, combines classic historical materials such as "Explanation of Names" and "Shuowen Jiezi", as well as ancient characters such as oracle bone inscriptions and bronze inscriptions, and accurately presents 71 beautiful ancient colors such as sky blue, moon white, rouge, gamboge, and sky and water green. This book not only deeply explores the historical origins and cultural connotations of ancient colors, but also allows readers to appreciate the unique charm of traditional Chinese colors with its unique perspective and precise expression. By reading "The Beauty of Ancient Colors", readers can deeply understand the wisdom and aesthetics of the ancients in the use of colors, feel the profound cultural heritage contained in ancient colors, and thus enhance their understanding and respect for traditional culture. This book is suitable for readers who are interested in traditional culture, and can also be used as an important reference book for color research.
Book Summary of "The Beauty of Ancient Colors"Chapter 1: Historical Origin of the Beauty of Ancient Colors1.1 The Development of Colors in Ancient China - Prehistoric Period: Natural dyes were the main dyes, such as red dyeing with hematite powder. - Xia, Shang and Zhou Dynasties: The Five Elements and Five Colors System was formed, with yellow as the most important. - Qin and Han Dynasties: The understanding and application of colors became richer. - Tang and Song Dynasties: The peak of color culture, with blue and white porcelain and Tang Sancai being famous. - Ming and Qing Dynasties: The application of colors became more refined, such as the water-dividing technique of blue and white porcelain. 1.2 The significance of ancient colors in traditional Chinese culture - Philosophical Thoughts: Confucianism advocates Huang Lao, Taoism emphasizes black and white, and Buddhism likes gold. - Level Symbolism: Different colors represent different social levels. - Aesthetic Taste: Literati and scholars prefer simple and elegant colors, reflecting their attitudes and emotions towards life. Chapter 2: Extraction and Dyeing of Main Ancient Colors2.1 Extraction Technology of Ancient Colors - Mineral Dyes: Such as cinnabar, malachite, realgar, etc. - Plant dyes: such as blue indigo, safflower, hematoxylin, etc. - Animal dyes: such as lithospermum, cochineal, etc. 2.2 Ancient dyeing technology- Direct dyeing method: simple immersion method. - Mordant dyeing method: using mordant to improve coloring rate and fastness. - Reduction dyeing method: such as the production of blue glaze of blue and white porcelain. Chapter 3: Application of ancient colors in clothing, architecture and handicrafts3.1 Ancient colors in clothing- Official uniform system: distinguishing the ranks of officials by color. - Folk clothing: various auspicious patterns and color matching with implications. 3.2 Ancient colors in architecture- Palaces and temples: magnificent and magnificent, reflecting the royal style. - Gardens and courtyards: simple and elegant tones, creating a tranquil atmosphere. 3.3 Ancient colors in handicrafts- Ceramics: blue and white, doucai and other crafts present rich color levels. - Painting: the combination of ink and color, such as the delicateness of fine brushwork. Chapter 4: Inheritance and Innovation of Ancient Colors in Modern Life4.1 Integration of ancient colors in modern design - Fashion industry: Combination of traditional colors with modern design concepts. - Home decoration: Antique furniture and decorations. 4.2 Modern expression of traditional dyeing technology - Scientific research innovation: Development of chemical synthetic dyes. - Intangible cultural heritage: Protection and inheritance of traditional dyeing skills. The above summary summarizes the main content and viewpoints of the book "The Beauty of Ancient Colors". From a historical perspective, it discusses in detail the origin and development of ancient Chinese color culture, the extraction and dyeing technology of traditional colors, and the application of these ancient colors in different fields and modern inheritance and innovation.
For the book "The Beauty of Antiquity", I have selected the following most wonderful sentences or paragraphs. These sentences or paragraphs are profound, unique in perspective, beautiful in language, full of wisdom, or creative. 1. Profound in meaning * "In the cycle of time, ancient colors are not only the precipitation of time, but also the memory of history and the inheritance of culture." * "Each kind of ancient color is like a page of history. When you gently turn it, you can smell the fragrance of time." * "The beauty of ancient colors lies in the fact that they carry the stories of countless predecessors, allowing us to glimpse the past in colors." 2. Unique perspective * "The ancient colors described by Qing Jian are like doors of time, taking us back and forth between ancient and modern times." * "With the keenness of a painter and the feelings of a literati, she captured the subtle and moving beauty of ancient colors." * "In the eyes of the author, ancient colors are not just colors, but also a symbol of emotion, memory, and culture." 3. Beautiful in language * "Ancient colors flow in the long river of time, like a melodious ancient song that makes people intoxicated." * "Qing Jian uses her poetic language to vividly describe the charm of ancient colors." * "Reading her words, it's as if you can see beautiful ancient paintings slowly unfolding before your eyes." 4. Full of wisdom * "The beauty of ancient colors lies not only in their external performance, but also in the wisdom and philosophy they contain." * "The author has excavated the profound cultural connotations contained in ancient colors through in-depth research on ancient colors." * "This book is not only a book about colors, but also a book of wisdom about history, culture, and life." 5. Full of creativity * "Qing Jian has given new life and meaning to ancient colors with her unique perspective and creativity." * "She not only excavated the traditional beauty of ancient colors, but also innovatively combined them with modern aesthetics." * "This book is a brand-new interpretation of ancient colors, full of the author's creativity and imagination." Please note that the above content is written based on the understanding and imagination of the book "The Beauty of Ancient Colors", and is not a direct quote from the original text in the book. I hope that these contents can meet your needs and provide useful references for your book review.
Qing Jian: A Literary Journey to Explore the Beauty of Ancient Colors Qing Jian, a talented writer, is known for her unique literary style and deep understanding of traditional culture.< In this article, we will take a deep look at the writer's personal basic information, education and professional background, writing career, work style and theme, personal life, social influence, citations and evaluations, and latest developments from multiple perspectives.
1.< Personal Basic Information Qing Jian, whose real name is unknown, is a Chinese writer who is loved by readers for her unique insights into ancient culture and aesthetics.
Although her personal information is relatively limited, her works provide us with rich spiritual food.< 2.
Education and Professional Background Qing Jian's educational background and professional experience have not been disclosed in detail, but it can be seen from her works that she has a deep interest in and research on ancient culture and history.< This enables her to use ancient elements in her literary creation with ease and present readers with a vivid picture of history.
3.< Writing Career Qing Jian's writing career began with her love for ancient culture.
Her work "The Beauty of Ancient Colors" is an in-depth exploration of ancient aesthetics.< Through this work, Qing Jian demonstrates her unique insights into ancient culture and her deep understanding of aesthetics.
4.< Style and theme of works Qing Jian's works are based on ancient culture, with unique style and beautiful language.
She is good at using ancient elements, combining traditional culture with modern aesthetics, and bringing readers a brand new reading experience.< The themes of her works are diverse, covering many fields such as history, philosophy, and aesthetics.
5.< Personal life We know very little about Qing Jian's personal life.
However, from her works, we can see that she has a strong interest in ancient culture and aesthetics, which may be an important part of her personal life.< 6.
Social influence Qing Jian's works have a wide impact in the literary world and society.< Her works are not only loved by readers, but also recognized by many literary critics and experts.
Her works are considered to be a beneficial inheritance and innovation of traditional culture.< 7.
Quotation and evaluation Authoritative media and experts have given high praise to Qing Jian's works.< The People's Daily once commented that her works "have profound cultural heritage and unique artistic charm.
" The famous literary critic Zhang also said: "Qing Jian's works are a profound excavation of ancient culture.< Her language is beautiful, her conception is unique, and it is refreshing.
" 8.< Latest developments There is no public information about Qing Jian's latest developments.
However, we can expect her to have more works in the future, which will continue to bring us in-depth exploration of ancient culture and aesthetic enjoyment.< In short, Qing Jian is a talented writer, and her works provide us with a new perspective, allowing us to re-examine and appreciate ancient culture and aesthetics.
We look forward to her future works to continue to bring us surprises.
Author: Li Haiping
Written by Li Haiping, "A New Theory of Chinese Character Glyphology" is a unique work on Chinese character research. Based on the rich achievements of previous scholars, the book integrates the theories and methods of philology, calligraphy and design in an interdisciplinary way, aiming to deeply analyze the Chinese character glyph creation techniques, historical evolution and the multiple influencing factors behind it from a new perspective. The book innovatively proposes the concept of the source of shape, and through observation and analysis, reveals the rich connotation and evolution law of Chinese character morphology. This work not only injects new vitality into the study of Chinese characters, but also provides valuable inspiration for calligraphy creation and design practice. Readers can appreciate the profound heritage and infinite charm of Chinese characters as a treasure of Chinese culture, and further deepen their knowledge and understanding of Chinese character glyphology.
Author: [Germany] Martin Zell
"The Art of Film" is a book on film theory written by German author Martin Zell. Starting from the typical perspective of film theory, the book deeply analyzes the essential connection between film and other art categories by citing a large number of film examples. The film works involved in the book are rich and diverse, including "Forrest Gump", "The Godfather", "In the Mood for Love" and "Taste of Cherry", etc. These examples vividly show the charm and depth of film art. This book not only provides movie lovers with a new understanding of film art, but also provides important theoretical references for film practitioners and scholars. By reading this book, readers can have a deeper understanding of the constituent elements, expression techniques and unique position of film in the field of art, so as to appreciate and love this creative and passionate art form more.
Author: [German] Thomas de Padua
Book Summary: Leibniz, Newton, and the Invention of Time delves into the heated discussion between two great scientists, Isaac Newton and Gottfried Wilhelm Leibniz, on the nature of time. This discussion took place at a time when the accuracy of mechanical clocks had been greatly improved, and the emergence of pendulum clocks and precision pocket watches had fundamentally changed people's perception and measurement of time. The book details how this discussion promoted the transformation of people's understanding of time, and the profound impact this transformation had on later science, philosophy, and daily life. By revealing the ideological confrontation between Newton and Leibniz, this book provides us with a new perspective to examine the nature of time and its role in our lives. This is not only a masterpiece of the history of science, but also a wise work that can inspire us to think about the eternal theme of time.
Author: Michel-Rolf Trouillot
"The Silent Past: Power and the Production of History" is a modern classic that explores the birth and formation of history. The author Michel-Rolf Trouillot reveals how history is produced, shaped and passed on by deeply studying the relationship between power and history. This book is of great significance for understanding the nature of historiography and the authenticity of historical events. Echoing the views of thinkers such as Foucault and Howard Zinn, this book deeply analyzes the role of power in history and how history is manipulated and silenced. If historical figures such as Columbus were still alive, they might be shocked by the interpretation and presentation of history today. This book is thought-provoking after reading, and it is of great significance not only for historians but also for readers to re-understand and understand history. In the current era of information overload, reading this book helps us look at history more carefully and think about the truth and meaning of history.
Author: Fei Xiaotong
Rural China is a classic work by Mr. Fei Xiaotong on the study of Chinese rural society. The book consists of fourteen independent but interrelated papers, which analyze various aspects of traditional Chinese rural society in an easy-to-understand manner. Starting from the structure and function of rural communities, Fei Xiaotong explored the transmission and changes of culture in rural society, and analyzed in detail the core elements such as family system, moral concepts and power structure. He revealed the maintenance mechanism of rural social order and the important role of social norms and traditional customs in rural life. In addition, the author also keenly captured the challenges and changes faced by rural society in the process of modernization. This book is not only a foundational work for Chinese rural sociology, but also provides a unique perspective and profound insights for understanding the deep structure and cultural traditions of Chinese society.