Book Details
Farewell on the Riverbank: Early and Middle Ming Dynasty Paintings (1368-1580)
[US] John C. / Life·Reading·New Knowledge Sanlian Bookstore /August 1, 2009
Written by American scholar Craig Clive, the book explores the painting art of the early and middle Ming Dynasty (1368-1580) in depth. The book points out that after Zhu Yuanzhang overthrew the Mongol regime and established the Ming Dynasty, his harsh rule led to misfortunes for many literati painters, which caused a blank period in the painting world in the early Ming Dynasty. However, this book not only focuses on this difficult history, but also analyzes in detail how Ming Dynasty painting gradually recovered and developed during this period. Through a detailed analysis of painters, works and artistic styles, Craig Clive reveals the unique charm and innovative spirit of Ming Dynasty painting art. This book is of great value in understanding the historical background, development context and artistic achievements of Ming Dynasty painting art, and is a precious material for studying Ming Dynasty painting art.
Catchy Sentences
I have selected the following sentences or paragraphs from the book Farewell on the Riverbank: Paintings of the Early and Middle Ming Dynasty (1368-1580). Written by American art historian James Cahill, this book deeply explores the styles, schools and social and cultural background of Ming Dynasty painting. Selected highlights: 1. "In the early Ming Dynasty, painting was not only an expression of art, but also a microcosm of political and social consciousness." This sentence profoundly reveals the multiple functions of Ming Dynasty painting and its historical background. 2. "In the brush and ink, the painter often hides his observation and thinking of the real world." With delicate brushstrokes, James Cahill points out the profound implications of the painter's works. 3. "From landscape paintings, we can glimpse the idealistic pursuit of nature and life by the scholars of the Ming Dynasty." This sentence shows the spiritual world of the scholars of the Ming Dynasty from the perspective of landscape paintings. 4. “The theme of farewell on the river bank appears repeatedly in Ming Dynasty paintings, reflecting the complex emotions of people at that time towards parting.” The book reveals the emotional outlook of Ming Dynasty society through the analysis of the theme of “farewell on the river bank”. 5. “Although court painters and literati painters in the Ming Dynasty lived in the same period, they often had completely different artistic pursuits.” This sentence highlights the diversity and differences of Ming Dynasty painting schools. 6. “In delicate brushstrokes and elegant tones, Ming Dynasty painters showed their unique perception of the world.” Cahill accurately grasped the aesthetic characteristics of Ming Dynasty paintings. 7. “Paintings in the Ming Dynasty are not only visual enjoyment, but also spiritual communication.” This sentence emphasizes the communication role of painting in Ming Dynasty society. 8. “Through their works, painters have a dialogue with viewers across time and space.” This is a creative view that regards painting as a form of communication across time and space. 9. “The art market in the Ming Dynasty was prosperous and complex, and the living conditions of the painters were closely related to the style of their works.” This sentence reveals the intrinsic connection between the art market and the painting style in the Ming Dynasty. 10. “In the paintings of the Ming Dynasty, we can see the coexistence of tradition and innovation, which sparked dazzling sparks from each other.” This sentence is beautifully written and vividly depicts the tradition and innovation in the paintings of the Ming Dynasty. 11. “Professor Cahill has unveiled the mystery of Ming Dynasty paintings for us with his unique perspective.” This is a praise for Cahill’s research work, reflecting his unique academic perspective. 12. “Every stroke of the Ming Dynasty painters seems to be telling us their stories.” This sentence gives the paintings of the Ming Dynasty a profound historical and cultural connotation. 13. “Through the study of Ming Dynasty paintings, we can have a deeper understanding of the people and their lives of that era.” This sentence emphasizes the importance of art history research in understanding history. 14. “While pursuing artistic perfection, the painters of the Ming Dynasty were also exploring the meaning of life.” This is a profound insight that closely links painting with the philosophy of life. 15. “In the art world of the Ming Dynasty, every innovation is a tribute to and subversion of tradition.” This sentence accurately grasps the spiritual core of artistic innovation in the Ming Dynasty. 16. “With his profound knowledge and keen observation, Craig Clunas presents us with a colorful world of Ming Dynasty paintings.” This is an affirmation of Craig Clunas’ academic achievements and also reflects his professional qualities as an art historian. 17. “The paintings of the Ming Dynasty are like mirrors, reflecting the social outlook and inner world of the people of that era.” This sentence uses metaphors to vividly depict the historical value of Ming Dynasty paintings. 18. “In the works of Ming Dynasty painters, natural scenery is not only an objective existence, but also the sustenance and expression of their emotions.” This sentence reveals the emotional investment and expression of Ming Dynasty painters in their creations. 19. “Every element in Ming Dynasty paintings, whether it is landscapes, figures or flowers and birds, contains profound cultural implications.” This sentence reflects the important role of Ming Dynasty paintings in cultural inheritance. 20. “This book by Craig Clare is not only an authoritative interpretation of Ming Dynasty paintings, but also an important contribution to the study of Oriental art history.” This sentence summarizes the status and value of the book "Farewell on the River Bank" in the academic community.
Author Introduction
Title: Farewell on the Riverbank: Paintings of the Early and Middle Ming Dynasty by James Cahill Farewell on the Riverbank: Paintings of the Early and Middle Ming Dynasty (1368-1580) is a book that explores the art of Ming Dynasty painting in depth.< It was written by the famous American art historian James Cahill.
This article will introduce this outstanding author from many perspectives, including his personal basic information, education and professional background, writing career, style and theme of his works, personal life, social influence, citations and evaluations, and latest developments.< 1.
Personal basic information James Cahill (1926-2014), full name James Cahill, is an American art historian who focuses on the study of Chinese painting history.< He was born in Michigan, USA, and has a profound artistic cultivation and academic background.
2.< Education and professional background James Cahill received a bachelor's degree from Harvard University in 1947 and then a master's degree in 1950.
In 1951, he continued to study for a doctorate at Harvard University and received his doctorate in 1957.< He spent most of his academic career at the University of California, Berkeley, where he served as a professor in the Department of Art History until his retirement in 1994.
3.< Writing Career Cahill's writing career began in the 1950s, and his research field mainly focused on the history of Chinese painting.
His works include "History of Chinese Painting", "Ming Dynasty Painting", "Qing Dynasty Painting", etc.< , which have had a profound impact on the academic community.
4.< Style and Theme of Works Cahill's works are known for their rigorous academic attitude, detailed information and unique insights.
His research covers all periods of Chinese painting, and he is particularly good at analyzing the style and characteristics of Ming Dynasty painting.< His works focus not only on the artwork itself, but also on the artist's life, social background, and the relationship between the artwork and the society at that time.
5.< Personal Life Cahill's personal life is relatively low-key, and he devotes most of his energy to academic research and teaching.
He and his wife have two children together and have a harmonious family life.< 6.
Social Influence Cahill's works have had an important impact on the study of the history of Chinese painting, and his research results have been widely cited and discussed.< His academic achievements have also won him many honors, including the Lifetime Achievement Award from the American Art History Association.
7.< Quotes and comments Authoritative media and experts generally give high praise to Cahill.
The New York Times once described him as "an authority on the history of Chinese painting", while Art News called him "a giant in the history of Chinese art".< 8.
Latest News Although Cahill passed away in 2014, his academic legacy continues to influence the study of Chinese painting history.< His works and research results are still important reference materials for art historians and enthusiasts.
Summary: Cahill is an outstanding researcher of Chinese painting history, and his works provide us with a valuable perspective to understand the art of painting in the Ming Dynasty.< Through his research, we can have a deeper understanding of the development context and artistic characteristics of Chinese painting.
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